型番 LA-17881 販売価格 2,350円(税込) 購入数

フランスのミュージック・コンクレートの巨匠リュック・フェラーリの未発表音源が、Sub Rosaの「Early Electronic series」より登場!!!　ガラスの割れる音や駆動音、残響をフィーチャーした「Tinguely (1967)」は、C. Caspariによって制作されたテレビ番組のためのコンクレート作品で、スイスの現代美術家Jean Tinguelyの1966年のエキシビションを元にしています。「Dernier Matin d'Edgar-Allan Poe (1964)」は、Jean Barralによる短編33mmモノクロ映画のためのコンクレート作品。フェラーリの1960年から84年までの映画音楽作品を集めた3枚組CDボックス「COMPLETE MUSIC FOR FILMS 1960-1984」から先行リリースされたアナログLP盤です！



Two tracks from a forthcoming 3CD box set (SR429) entirely devoted to Luc Ferrari's film music - a landmark release for many reasons. Not only does it reveal a little-known chunk of his oeuvre as a composer for the screen (replete with several previously unavailable tracks), but it also sheds light on the ties between cinema and musique concrete, especially during the fruitful period that stretched from the 1960s to the 1980s.

Tinguely (1967)
Musique concrete for a television program by C. Caspari. From recordings made by the composer in 1966 at an exhibition of Jean Tinguely's work. Once the 110V Liliput engine is turned on, the sculptures start moving instantly in unpredictable ways, as if they had suddenly become frantic. They move in disorganized and excited ways; each action brings them on the verge of self-destruction. Tinguely's "Balubas" show us how ephemeral and intangible art and life are. The "Balubas" carry joy and despair, fascination and disillusionment.

Dernier Matin d'Edgar-Allan Poe (1964)
Musique concrete for a short 33 mm black-and-white film by Jean Barral.
（Sub Rosa）

Side 1
TINGUELY (1967) 12:40

Side 2
DERNIER MATIN D'EDGAR-ALLAN POE (1964) 17:14

Format：LP
Label：SUB ROSA (BEL)

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